Despite the challenging circumstances, the 2020/21 academic year at The Âé¶¹ÊÓÆµ has seen major awards, the publication of new books, and the successful completion of seven PhDs.Ìý
AwardsÌý
Professor Christine Stevenson – Leverhulme Trust
Christine Stevenson, Professor of Early Modern Art and Architecture, has been awarded a twelve-month Leverhulme Research Fellowship to support the completion of her book,ÌýMechanickÌýRaces: The Production and Consumption of English Baroque Architecture. Almost thirty years ago, Christine began to wonder what a history of late seventeenth and early eighteenth-century English architecture would look like if we switched the focus from architects to the masons, bricklayers, carvers, plasterers, smiths, and painters who actually produced the structural and decorative elements that together make up a building, and to the patrons who valued them. She was then distracted by writing other books, but this one is the result of that question. Christine begins her Fellowship in September 2021.
Arts & Humanities Research Council Capabilities for Collections Fund (CapCo)
The Âé¶¹ÊÓÆµÌýhas been awardedÌýtwo grantsÌýtotallingÌýmore than £2.2 million from the Arts & Humanities Research Council Capabilities for Collections Fund (CapCo) to upgrade critical art conservation instruments and support the infrastructure development essential to further care of TheÌýÂé¶¹ÊÓÆµâ€™sÌýworld-class collections, as part of its transformative Âé¶¹ÊÓÆµ ConnectsÌýproject.ÌýFind out more here.
BooksÌý
Julian Stallabrass: Killing for Show:ÌýPhotography, War, and the Media in Vietnam and Iraq
Professor Julian Stallabrass’ new book is about how war photography is used to sway public opinion. Since the Vietnam War, the way we see conflict—through film, photographs, and pixels—has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Dr Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography.
Guido Rebecchini: TheÌýRome of Paul III (1534-1549):ÌýArt, Ritual and Urban Renewal
ÌýDrÌýGuidoÌýRebecchini’sÌýrichly illustrated book uses mainly unpublished documentation to investigate a range of multi-media urban, architectural and artistic projects promoted by Paul III. It adopts a multi-disciplinary approach to deepen our knowledge of Rome’s visual culture after the Sack of 1527, providing a nuanced and fresh understanding of the social, economic and political conditions underpinning the creation of celebrated masterpieces, like Michelangelo’s Last Judgement or his design of ³Ù³ó±ðÌýCampidoglio. This study – the first entirely dedicated to Rome during the pontificate of Paul III – re-conceptualizes the periodization of Rome’s early-modern history, whichÌýis traditionally polarizedÌýbetween the High Renaissance and ³Ù³ó±ðÌýBaroque, andÌýestablishes Paul III’s reign as the hinge between these two, seemingly disconnected, periods.Ìý
Two new booksÌýwere alsoÌýlaunched in ³Ù³ó±ðÌýÂé¶¹ÊÓÆµ Books OnlineÌýseries:Ìý
Continuous Page: Scrolls and Scrolling from Papyrus to Hypertext:ÌýThis open-access book of 12 essays, accompanied by a series of fully digitised scroll objects, constitutes a systematic attempt to approach the subject of the scroll from an interdisciplinary standpoint, incorporating contributions from an internationally renowned group of scholars who address material from the ancient world to the twenty-first century, ranging across objects from Asia, Africa, the Middle East, Europe, and the Americas. Read the book here.
Ruskin’s Ecologies: Figures of Relation from Modern Painters to The Storm-Cloud: This open-access book, edited by Kelly Freeman and Thomas Hughes, consists of fourteen essays by established and emerging writers reconsiders John Ruskin’s (1819–1900) art and writings on art, architecture, nature, society and science in light of contemporary planetary concerns, revealing that Ruskin’s work was an ongoing analysis of vital interrelations between things, same and different. Read the book here.
PhDsÌý
Congratulations to seven students who completed their PhDs this academic year!Ìý
- Denis Stolyarov was awarded a PhD in October 2020, with the thesis titleÌý(Post)-Soviet Art in the Era of Wild Capitalism, 1985 – 1995,Ìýsupervised by Professor Sarah Wilson.Ìý
- Jacek Olender was awarded a PhD in November 2020, with the thesis titleÌýGecko-inspired Dry Adhesives: Evaluating their Applicability to the Conservation of Cultural Heritage, supervised by Dr Stephen Whiteman.Ìý
- Miguel Aires De Campos was awarded a PhD in December 2020, with the thesis title MirabiliaÌýDepicta: Image and imagination in the Anglo-Saxon Wonders of the East, supervised by Professor Alixe Bovey.Ìý
- Amanda Delorey was awarded a PhD in December 2020, with the thesis titleÌýModernist Planning and Informal Settlements: The History of Social Housing Architecture in Mexico City,Ìýsupervised by Professor JulianÌýStallabrass.Ìý
- SooyoungÌýLeam was awarded a PhD in May 2021, with the thesis titleÌýLee Seung-taek: The Making and Unmaking of Sculpture in Contemporary Korean Art,Ìýsupervised by Professor Sarah Wilson.Ìý
- SaidaÌýBondiniÌýwas awarded a PhD in May 2021, with the thesis titleÌýUrban andÌýSocialÌýSpaces:ÌýArt,ÌýArchitecture, andÌýFamilyÌýPatronage in Bologna (1470-1520), supervised by Dr GuidoÌýRebecchini.Ìý
- Maggie Crosland was awarded a PhD in June 2021, with the thesis titleÌýServansÌýtousÌýlesÌýjours: Devotion, Interaction, and Familial Piety in the GrandesÌýHeuresÌýof Philip the Bold, supervised by Professor Alixe Bovey.Ìý