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Course 23 – Summer School On Campus

Monday 13 – Friday 17 July 2026

Dr Niccola Shearman

£695

Course Description

As a tottering Austro-Hungarian Empire worked at its decorative façade and high society waltzed on regardless, new impulses were simmering beneath the surface in fin-de-siècle Vienna. And we are not only referring here to Sigmund Freud: from Gustav Klimt’s thinly-veiled symbols of sexual energy and sinewy mortality to the angst-ridden art of Oskar Kokoschka and Egon Schiele; from the theatrical splendour of institutional architecture to the clean lines of the sanatorium, there is plenty to analyse in the visual culture of early twentieth-century Vienna.

Alongside the art of key individuals, this critical introduction takes in major collectives including the Vienna Secession, the applied arts of the Viennese Workshops, and the social housing of ‘Red Vienna’. It attends to wider cultural currents in the famous café circles: interdisciplinary talking shop of writers and intellectuals, composers, patrons, and critics, many of Jewish heritage. And it explores the influence of women – beyond the ‘muse’ depicted as alternately decorative and dangerous. Could one actually live in a Gesamtkunstwerk? Where is the line between the avant-garde embrace of modernity and an indulgent retreat from the real world? How far could such keen observers foresee the ultimate collapse of their small but vibrant artistic universe? All to be considered in a series of lectures, discussions and visits to London collections dedicated to this febrile period of cultural experiment.